cv

kathrynllien@gmail.com

Education

2018  Master of Fine Arts Candidate, Sculpture + Extended Media, Virginia Commonwealth University, Richmond, VA

2012  Bachelor of Fine Arts, 3D4M/Three-Dimensional Forum, University of Washington, Seattle

2011  UW Studio Art Program in Rome, Rome, Italy

2010  UW Comparative History of Ideas Program in Prague, Prague, Czech Republic

 

One, Two, & Three Person Exhibitions

2019  Architectural Bodies, Office Space 2, New Brunswick, NJ

2018  By Toast I Mean Sugar, Southern Exposure Project Space, St. Augustine, FL

2018  Always Already, The Anderson, Virginia Commonwealth University, Richmond, VA

2015  This is Where We Live Now, Gallery II, The Vermont Studio Center, Johnson, VT

2014  White Girls, Blindfold Gallery, Seattle, WA
2014  Longing, Gray Galery, Philadelphia, PA

2012  Of Place and Time, UW 3D4M Gallery, Seattle, WA
2012  American Royalty, The Pine Box, Seattle, WA

 

Group  Exhibitions

2020  Geografia Relativa, curated by guadalajara901210, Mexico City, MX 

2018  MFA Thesis Exhibitions, The Anderson, Virginia Commonwealth University, Richmond, VA

2017  In Consequence of Everything, Also, Random Access Space, Syracuse University, Syracuse, NY

2017  Room Before, Visual Arts Center, University of Texas Austin, Austin, TX

2017  Snakes & Ladders, The Anderson, Virginia Commonwealth University, Richmond, VA

2017  misc., 1515 W Broad, Virginia Commonwealth University, Richmond, VA

2017  the past is calling the present is fleeting the future is calling, The Anderson Gallery, Virginia Commonwealth University, Richmond, VA

2016  How's My Driving?, FAB Gallery, Virginia Commonwealth University, Richmond, VA

2016  Current Elements, HackRVA, Richmond, VA

2016  Granfalloon, FAB Gallery, Virginia Commonwealth University, Richmond, VA

2016  Eight Hour Projects, The Galleries at Allegheny College, Meadville, PA

2015  The Woodmere Annual, Juried by the Dufala Brothers, The Woodmere Art Museum, Philadelphia, PA
2015  Vermont Studio Center Showcase, Studio Place Arts, Barre, VT
2015  Staff Showcase, Gallery II, The Vermont Studio Center, Johnson, VT

2013  Locale, The Painted Bride Art Center, Philadelphia, PA

2013  Vigil: Inspired by Memory, lovecitylove Gallery, Seattle, WA

2013  3D4M Senior Exhibition, Jacob Lawrence Gallery, Seattle, WA

2012  Strange Coupling, Object, Seattle, WA

2012  DUPED!, The Piranha Shop, Seattle, WA

2012  Weather-or-Not, Pier 22/23, Seattle, WA

2012  SoA Winter Juried Show, Juried by Greg Bell, Jacob Lawrence Gallery, Seattle, WA

2011  SoA Summer Juried Show, Juried by Allison Milliman, Jacob Lawrence Gallery, Seattle, WA

 

Honors & Awards

2018  Dean's Graduate Travel Grant to St. Agustine, FL, Virginia Commonwealth University

2017  Graduate Teaching Assistant Scholarship & Full Tuition Reimbursement, Virginia Commonwealth University

2017  Dean's Graduate Travel Grant to Austin, TX, Virginia Commonwealth University

2017  Dean's Graduate Travel Grant to Syracuse, NY, Virginia Commonwealth University

2017  Pollock/Krasner and VSC Joint Fellowship, The Vermont Studio Center

2016  Graduate Teaching Assistant Scholarship & Full Tuition Reimbursement, Virginia Commonwealth University

2014  Visual Artist Grant, The Vermont Studio Center
2014  Artist Scholarship, Pilchuck Glass School
2013  Grace C. and Bernard de Cillia Endowed Scholarship Graduating with Excellence Award, Undergraduate, Art Department, University of Washington

Publications

2017   “Soap Egg Grapes.” Haunt Journal of Art, vol. 4, 15 Oct. 2017, pp. 22–25.

 

Residencies & Workshops

2017  Visual Artist Fellow, Vermont Studio Center, Johnson, VT

2016  The Make Your Own Loneliness Project, Murrell's Inlet, SC

2014  Visual Artist in Residence, Vermont Studio Center, Johnson, VT

2014  "Molds and Mayhem" Workshop with Amie McNeel and John Chapman, Pilchuck Glass School, Stanwood, WA

Bibliography

Doctorow, Cory. "3D Printing with Wood Flour". Boing Boing. (8 Apr. 2011). Web

Giammanco, A.K., ed. Ruckus Among Us. (Sept.-Oct. 2012): 5. Print.

Miyazaki, Naoto. "Kathryn Lien." Montem 01 (2013): 34-40. Print.

© 2018 by Kathryn Lien